


How do we as Wisconsinites preserve our heritage?
How do we best pay homage to those who built our cities and towns, passed down their values and virtues, and left this great state in our hands to leave for future generations?
Some of the most important tools to preserving our heritage are not in museums. They’re not in city squares, town halls, or downtowns as statues or monuments.
Rather, they’re actually in just about every home in America.
Our photo albums.
With the exception of the written journal, no other medium documents our history as accurately as the photograph. Photographs hold power. The have the ability to illuminate everything about us. Our prosperity and hardships. They document our evolution over time in every avenue, be it style, architecture, or fashion. They have become the archival illustration of our villages transforming into metropolises, of lone houses expanding into communities, and of our ancestors looking us right in the eye.
They have also become a record for much of what we have lost over time. A chronicle of countless structures, at one time the pride and joy of someone‘s blood, sweat, and tears, lost to the annals of time…and a need for parking space. They are excerpts from a person’s existence long ago. Small, visual clippings from lives departed, and often times, our only way to connect with those who lived them.
We’ve all had that nostalgic feeling browsing through old, black and white photos. That kind of dreamy, wistful remembrance, whether we are in the picture or if it was taken long before our time. Those photographs are truly a semblance of who we are.
That is why we get that feeling.
Recently, I have had the opportunity of working with the Landmarks Commission of Neenah on this very topic. A “Then and Now” rephotography project to visually document where Neenah has been in the past, how it reached the present, and how to preserve the best of Neenah for her future.
Neenah, WI is rich with fascinating history. Many of it’s streets are lined with homes built by paper and lumber barons. Here was the founding of the Kimberly-Clark Corporation, the birthplace of Hollywood director Howard Hawks, and the hometown of the designer of the Pentagon, who’s family name, Bergstrom, still remains prominent today.
During this project, I have had the opportunity to sift through thousands of old photographs from museums, historical societies, and private citizens. When a certain photograph is chosen for inclusion, I then stand in the exact spot that a photographer stood decades ago, sometimes 100 years or more, and recreate the photo today.
The results are striking. Awe-inspiring.
Too often we don’t pay enough attention to our communities. It’s architecture. It’s layout. The people who left it for us.
They get thrown into the context of our world today and just simply don’t take priority over our jobs, kids, appointments, TV shows and everything else we need to get through the day.
However, when one looks at two photographs, side-by-side, taken from the exact same spot 100 years apart, it’s easy to pause for just a second.
Suddenly, that building with the “1889” carved in it you drive by everyday takes on a whole new meaning. The other smaller buildings around it today are not there in the first photo. You see it in the context in which it was intended. What you’ve always known as an apartment building is actually a hotel in the first photo. The people in the photo are dressed in nineteenth century fashion and seem proud to be in the photo, showing off for anyone who would view it.
You never really look at that building the same way again. You pay a bit more attention to it when you drive by. You smile. That nostalgic feeling comes back again.
That is the power of photographs as preservation.
Sadly, however, many photos show the mistakes we have made when open spaces have taken the places of once majestic buildings. Or when photos of modern buildings with “For Rent” signs are shown to take the place of turn of the century, state of the art architecture, with proud business owners standing outside their palaces, boasting with pride for what they had created.
The feeling of loss hits you…hard.
We owe it to those who came before us to remember them. To document the leftover parts of those who defined us. They are our heritage. They are our ancestors. We see evidence of their presence and existence all around us. Like ghosts, they struggle to call out for attention, but are powerless. All too often we fail to acknowledge them. We keep driving. We look away. We continue on with our lives, forgetting that they are the ones who gave it to us.
It is our duty to heed their call.

Still today I remember the legends.
Tales told between school kids of a mysterious people, an ancient people, very similar to those we saw pictures of when learning of the Aztecs in Mexico. Stories of a long lost civilization living in our state, only to disappear from the earth, leaving their village for us to discover a thousand years later. Stories of war, stockade walls with lookout towers rising twenty feet in the air, pyramids, and even, dare we say, cannibalism. All of this… right here in Wisconsin?
Growing up in the Fox Cities, I never did get to take a school trip to this mystical place. Students only heard passing references to it by our teachers, stimulating our imaginations to flow in absolute wonderment.
Aztalan, as it is named, is nestled on the banks of the Crawfish River in Jefferson County. It is truly a site needing to be seen to be believed. Could all these tales I heard of as a kid be true? Pyramids like the Aztecs? Lookout towers? Ancient temples?
This past fall, I grabbed my camera and went to find out for myself.
Located a bit further west than halfway between Milwaukee and Madison, a short distance off of Highway 94, lies the town of Aztalan, in which resides Aztalan State Park. The town is also home to the Lake Mills-Aztalan Historical Society Museum, which boasts several original structures dating back to the mid-1800s.
After browsing through several of the buildings, including several cabins, a school house and general store, I made the very short drive down Mound Rd. to visit the reason for my excursion.
Slowly coming up to Aztalan State Park I was in 6th grade again. That butterfly feeling you have as a child while quietly sneaking up to a house you heard was supposed to be haunted was running rampant in my gut. All the legends and stories I imagined as a curious but impressionable school kid were reverberating in my head.
Then, I started to see the mounds. A row of small, round, conical mounds could be seen rising up in the grass. The butterflies became more prevalent.
After pulling into the park entrance and following a winding road further in, the legends suddenly became real. Stockades were soaring into the sky! After parking the car and seizing my camera gear, I made my way towards those stockades, the late afternoon sun producing giant black shadows on the ground behind them, adding to the already imposing feel of the tall, timber-like structures. Once inside them, I saw what they were protecting…pyramids! Large, platform pyramids, much like what I used to see in history books about the Aztecs. One pyramid had steps leading to the top. I was paralyzed for a moment as I attempted to envision all that had occurred on top of that pyramid. Sacrifices? Religious ceremonies? Burials? I had no idea. I looked around in bewilderment as I remembered once again the horror stories I heard of war and cannibalism at this site, though I could only hear one thing - silence.
Pure silence.
Only the occasional bird or wind gust could snap me out of the imaginative movie making going on in my mind.
But the temples were gone. The wood and clay round houses were gone. The plaza, once the hub of the village, silent.
Also gone was the larger-than -life, exaggerated version of this land and it’s people I knew as a kid.
Standing there, in the middle of the village, reality took hold and respect set in. It looked small. I felt ashamed. Standing there, on what once was the village plaza of a people I once looked at almost as a charachature, I gazed upon what used to be their burial mounds. I watched the grass bend in the wind on the pyramids on which most likely stood their sacred temples and houses. I listened to the current, so very slight, of the Crawfish River, where I knew they fished for food. I envisioned the stockades, now crude reconstructions, fully intact, three times as high as they stand now, and covered smooth with fired clay and painted ornamentations.
Approximately 900 AD was the first time this village was inhabited. Woodland people, those who built the effigy mounds so prevalent throughout the state, initially built a small settlement here. Some time later, around 1000 AD, the village was transformed by visitors from the Middle Mississippian culture who were from, or descendents of those from, the famous city of Cahokia, the Mecca of the Mississippian people. Cahokia was a monstrous ancient city of temples, plazas, and huge earthen mounds located along the banks of the Mississippi River close to present day East St Louis, IL. As Cahokia grew, it’s people expanded outward, establishing their own villages. Many moved north into northern Illinois and Wisconsin, and hence, into Aztalan. The small Woodland village morphed into a miniature Cahokia, boasting large earthen platform pyramids, stockades, and a plaza, which held community rituals, ceremonies, and gatherings.
Archeological evidence at Aztalan shows it thrived during a very violent time in our history. War with other tribes was frequent, as was human sacrifice and, in some cases, cannibalism. It was not uncommon throughout various tribes in the Americas during this time for war captives to be cannibalized. It was thought that this was how one could retain their enemies courage and valor. Human bones found in garbage pits with other discarded food sources demonstrates this activity likely occurred at Aztalan. There are some who use this to define those who lived at Aztalan as a sinister people. That is a travesty. They are mistaken.
As a photographer conducts their craft, they are forming for others a perception. Be it a portrait, a landscape, a household product, etc., they are shooting to portray a semblance made in their own vision. While driving to Aztalan, I envisioned shooting images of a very dark and mysterious nature. Images which would demonstrate the enigmatic yet ominous mood I remember feeling as a school kid talking about the secrets of this lost land.
I left without taking any of those photos.
Rather, the photos I wanted to take were the photos of how I felt the inhabitants would want us to know them today. Not as a black-hearted, war-happy people, but as a community of families, brethren, craftsmen, hunters, men, women, and children.
They lived in different times. We need to accept that.
Around 1200 AD, the inhabitants of Aztalan disappeared and the village was burned.
We don’t know why.
For centuries, it lay as it was left, untouched by human hands until American settlers accidentally walked upon it in the 1830s. The first accounts suggests some of the stockade walls were still standing - over 800 years after first being built! It instantly became a national headline. The finding was so extraordinary, some believed it must’ve been a hoax. Due to it’s visual similarities to the Aztecs, and even incorrectly linked to them by some, the site was named Aztalan.
Sadly, in 1838, an egregious error in judgment by then President Martin Van Buren resulted in the site being sold for $22. The land was plowed and priceless history was lost forever. Modern efforts to preserve the site began in 1919, archeological surveys were conducted, mounds and stockades were reconstructed, and finally, Aztalan was named to the National Register of Historic Places in 1966 and lives again for us to learn from, and remember.
As this hidden jewel is largely maintained by donations, I strongly recommend a visit. Once there, you may realize much of the haunting and menacing narratives you may have heard or read in the past will be disproved, but believe me…
…the magic still remains.